- Follow Contemporary Classical – Thea Derks on WordPress.com
-
Recent Posts
- Breaking the silence: pianist Antonio Oyarzabal champions Latin American women composers May 16, 2023
- Rebecca Clarke, celebrated viola player, forgotten composer March 8, 2023
- Golda Schultz gives fabulous voice to women composers August 25, 2022
- Emilie Mayer defied 19th century mores with grand symphonies August 12, 2022
- Intercontinental Ensemble builds an arc of women composers July 28, 2022
Archives
- May 2023
- March 2023
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- December 2007
Categories
Meta
-
Tag Archives: Huang Ruo
Composer Huang Ruo: ‘I was inspired by your system of dikes & dunes’
The Chinese-American composer Huang Ruo (Hainan, 1976) was composer in residence with the Amsterdam Concertgebouw in the season of 2015-16. During the three months he spent in the Netherlands, he immersed himself in both culture and nature. The Concertgebouw teamed … Continue reading
Van Han-Na Chang tot Marie Jaëll, Olga Neuwirth en meer
Ik heb mijn blog schandelijk verwaarloosd de afgelopen periode, het was een beetje druk…. Op 9 mei kwam mijn vriend Huang Ruo weer naar Amsterdam, voor het tweede deel van zijn verblijf op uitnodiging van het Concertgebouw, waar hij dit … Continue reading
Posted in archive, news
Tagged 401 Nederlandse Opera's, Amsterdam Sinfonietta, Athanasius Kircher, AVROTROSVrijdagconcert, Bählamms Fest, Bernard van Beurden, Concertgebouw, Cultuurpers, De Nationale Opera, Don Giovanni, Geoffrey Paterson, Han-Na Chang, Harrison Birtwistle, Holland Festival, Huang Ruo, Joey Roukens, Kröller-Müller, Louis Andriessen, Marie Jaëll, Morphic Waves, Muziekgebouw aan 't IJ, Nederlands Philharmonisch Orkest, Nelson Goerner, Noord Nederlands Orkest, Olga Neuwirth, Ors Köszeghy, Panorama de Leeuw, Pascal Gallois, Paul Silverthorne, Pierre Boulez, Pique Dame, Reinbert de Leeuw, Sjostakovitsj, Sofia Goebaidoelina, The Corridor/The Cure, Thea Derks, Theatre of the World, TivoliVredenburg
6 Comments
Abschied in Panorama de Leeuw XV
A.s. woensdag 6 januari draai ik in Panorama de Leeuw op de Concertzender het grootschalige orkestwerk Abschied, dat Reinbert de Leeuw in 1973 componeerde. Met dit kolkende stuk – ‘een permanent soort razernij’ – in zijn eigen woorden, leek hij voorgoed afscheid te … Continue reading
Posted in background, news
Tagged Aafje Heynis, Abschied, Adolf Eichmann, Arnold Marinissen, Arthur Jussen, Bo Tarenskeen, Brodsky Quartet, Canto ostinato, Cappella Amsterdam, Collegium Vocale Gent, Concertgebouw Amsterdam, Cultuurpers, Daniel Rowland, Edo de Waart., Het Collectief, Huang Ruo, Huize Gaudeamus, Insomnio, Isidora Zebeljan, Karlheinz Stockhausen, Leaving Sao, Lucas Jussen, Mantra, Maria Castra Espejo, Maria Castro Espejo, Maria van Nieukerken, Mens of melodie, mens of melodie Panorama de Leeuw, Muziekgebouw aan 't IJ, Noord Nederlands Orkest, NTR ZaterdagMatinee, Oosterpoort, Panorama de Leeuw, Pierre Boulez, Pierre-Laurent Aimard, Reinbert de Leeuw, Residentie Orkest, Rotterdams Philharmonisch Orkest, Score Collective, Simeon ten Holt, Tamara Stefanovich, Thea Derks, TivoliVredenburg, Trees Walls Cities, Tweede Weense School, Une musique blanche, Unscrolled
Leave a comment
Akkoord Magazine: ‘Reinbert de Leeuw is alleen maar melodie’
Het is alweer bijna een hele maand geleden dat ik dit blog update, wat vliegt de tijd. De première van Seungh-Ah-Oh’s Words & Beyond II: Nan Sul Hun was een groot succes. Voorafgaand sprak ik met de componist en haar vormgeefster … Continue reading
Posted in archive, background, news
Tagged Akkoord Magazine, Anne-Sophie Mutter, AVTOTROS, Boekhandel Roelants, Carnegie Hall, Charles Ives, Colin Currie, Concertzender, Contactorgaan Electronische muziek, De Suite, De Vrijdag van Vredenburg, Gaudeamus Muziekweek, Hanns Eisler, Hetta en Peter Rester, Huang Ruo, Irma Bogers, James Gaffigan, James MacMillan, Jinnie Seo, Joey Roukens, John Adams, Kurt Weill, Markus Stenz, Measha Brueggergosman, Mens of melodie, Muziekgebouw aan 't IJ, New York, Panorama de Leeuw, radio 4, Radio Filharmonisch Orkest, Reinbert de Leeuw, Rising Phenix, Seungh-Ah Oh, The Death of Klinghoffer, The Met, Thea Derks, TivoliVredenburg, Will Derks, Words & Beyond II: Nan Sul Hun
Leave a comment
Contemporary Classical - Thea Derks 