Category Archives: review

Four reasons to attend Pelléas et Mélisande at Dutch National Opera #HF19

Posted on June 13, 2019 by

Due to its wide range of events the Holland Festival is at times its own competitor. I missed Turan Dokht and the premiere of Pelléas et Mélisande because I attended aus LICHT. To visit a performance of Debussy’s first and … Continue reading →

Posted in music, review | Tagged , , , , , , | 3 Comments

Tannhäuser at DNO: no ‘director’s theatre’ but subtle view on hypocrisy around love

Posted on April 11, 2019 by

Recently, a petition was launched for the restoration of Olivier Keegel’s press accreditation by Dutch National Opera. They no longer provide press tickets because he fiercely attacked Pierre Audi’s programming on the Flemish blog Operagazet and in the Dutch newspaper … Continue reading →

Posted in music, review | Tagged , , , , , , , , , | Leave a comment

Petra Stump-Linshalm advocates contrabass clarinet on ‘Fantasy Studies’

Posted on December 24, 2018 by

Just out: Een os op het dak: moderne muziek na 1900 in vogelvlucht: The bass clarinet is no longer the odd one out as a solo instrument. The Dutch pioneer Harry Sparnaay convinced many a composer of its versatility, immense … Continue reading →

Posted in music, review, women composers | Tagged , , | Leave a comment

Lessons in Love and Violence: smouldering music fails to animate icy drama

Posted on June 29, 2018 by

‘Love is poison’, Mortimer tells the king in the first scene of Lessons in Love and Violence. The military adviser denounces his relationship with Gaveston, on whom he heaps favours while his subjects are starving. ‘Don’t bore me with the … Continue reading →

Posted in music, review | Tagged , , , , , , , | 1 Comment

Maya Fridman: Prokofiev’s Fiery Angel with hardrock attitude

Posted on June 12, 2018 by

The Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is her most important goal, so why limit herself to a particular style or genre? The website … Continue reading →

Posted in music, review | Tagged , , , , , , | 2 Comments

La clemenza di Tito: exhilarating performance by Teodor Currentzis & musicAeterna

Posted on May 8, 2018 by

Classical music matters again. At least judging from the protests against the Stockhausen retrospective Aus Licht and the fierce polemics about the interventions of opera directors. Thus La clemenza Di Tito by Teodor Currentzis and Peter Sellars caused controversy even … Continue reading →

Posted in music, review | Tagged , , , , , , , , | 4 Comments

Recensie #Reinbertbio: ‘De Leeuw teruggebracht tot menselijke proporties, mét behoud van magie’

Posted on March 27, 2018 by

Soms lacht het leven je toe. Zo stuitte ik geheel toevallig op een prachtrecensie van mijn biografie Reinbert de Leeuw: mens of melodie van Jaïr Tchong. Hij schreef zijn bespreking al in 2015 voor het online magazine Mixedworldmusic, maar deze was tot vandaag … Continue reading →

Posted in music, news, review | Tagged , , , | Leave a comment

Composer Marie Jaëll: French flair, Russian pathos

Posted on January 24, 2018 by

If her name had been Marc, not Marie Jaëll (1846-1925), she would undoubtedly be considered one of the leading French composers of the late nineteenth, early twentieth century. But she was a woman – therefore unimportant. During her lifetime praised … Continue reading →

Posted in music, review, women composers | Tagged , , , , , | 4 Comments

The Berio Project: Joseph Puglia performs 34 Duetti per due violini

Posted on January 14, 2018 by

On Sunday 21 January the American-Dutch violinist Joseph Puglia will perform all 34 of Luciano Berio’s Duetti per due violini in Muziekgebouw aan ‘t IJ Amsterdam. He’ll play together with 18 different violinists ranging from students to amateurs, including children … Continue reading →

Posted in music, news, review | Tagged , , , , , | 5 Comments

Zara Levina Piano Concertos: Rachmaninoff meets Shostakovich

Posted on December 28, 2017 by

The name of Zara Levina is not widely known, but this will soon change. The Swedish pianist Maria Lettberg recorded her two Piano Concertos together with the Berlin Radio Symphony Orchestra and conductor Ariane Matiakh. Their spirited performance of Levina’s … Continue reading →

Posted in music, review, women composers | Tagged , , , , , | 1 Comment