Author Archives: theaderks

Monique Krüs: ‘The story always comes first’

Monique Krüs (1959) gathered fame as a soprano excelling in ultra-modern repertoire, then started composing and has since taken up conducting as well. ‘Everything I do is about communication, I want to move people, tell a story.’ This summer she … Continue reading

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Lessons in Love and Violence: smouldering music fails to animate icy drama

‘Love is poison’, Mortimer tells the king in the first scene of Lessons in Love and Violence. The military adviser denounces his relationship with Gaveston, on whom he heaps favours while his subjects are starving. ‘Don’t bore me with the … Continue reading

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George Benjamin on Lessons in Love & Violence: ‘Martin Crimp wrings music from me’ #HF18

The world premiere of George Benjamin’s opera Lessons in Love & Violence unleashed a true flood of 4 and 5 star reviews. Martin Crimp wrote the libretto, as he had done for Benjamin’s earlier operas Into the Little Hill and … Continue reading

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Maya Fridman: Prokofiev’s Fiery Angel with hardrock attitude

The Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is her most important goal, so why limit herself to a particular style or genre? The website … Continue reading

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Help de os aan een dak: crowdfunding introductie op moderne muziek

Beste lezer. Ik voltooide onlangs Een os op het dak: moderne muziek na 1900 in vogelvlucht. Het is een beknopte inleiding op moderne muziek van na 1900 en zo goed als af. Enkel nog wat laatste puntjes op de i … Continue reading

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Hans Abrahamsen’s Three Pieces for Orchestra: ‘Extremely charming and expressive’

The music of the Danish composer Hans Abrahamsen (1952) is highly poetic and often has a strong visual expressiveness. He paints with a fine brush; his work sounds transparent like a watercolour. – As e.g. in the highly successful fairytale-like … Continue reading

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Gavin Bryars: ‘I look upon Billy the Kid with some compassion’

In Calamity/Billy the French Théâtre de la Croix-Rousse & the Belgian Muziektheater Transparant combine two mythical heroes of the Wild West. Starting point of this double bill was Ben Johnston’s song cycle Calamity Jane to her Daughter, to which Gavin … Continue reading

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Karina Canellakis on women in music: ‘Just go ahead & do it!’

Her father was a conductor, yet it didn’t occur to her to follow in his footsteps. Karina Canellakis (New York, 1982) became a professional violinist, studying with Ida Kavafian at the Curtis Institute. She made a career in chamber music, … Continue reading

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La clemenza di Tito: exhilarating performance by Teodor Currentzis & musicAeterna

Classical music matters again. At least judging from the protests against the Stockhausen retrospective Aus Licht and the fierce polemics about the interventions of opera directors. Thus La clemenza Di Tito by Teodor Currentzis and Peter Sellars caused controversy even … Continue reading

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Teodor Currentzis: Music to die for

He is praised and reviled for his idiosyncratic approach to classical masterpieces. According to Teodor Currentzis (1972) this is ‘a myth, I only do what the composer wants’. On Monday 7 May he will make his debut at Dutch National … Continue reading

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