The name of Sedje Hémon (1923-2011) will not immediately ring a bell with most people. She was one of the first artists to work in a interdisciplinary way, basing her compositions on her own paintings. Her painting-scores were recently shown during Documenta 14 in Kassel and Athens, but her music has not been performed for almost 4 decades. The Hague Ensemble Modelo62 puts Hémon back on the map with the production Hidden Agreements. This will premiere on May 3 in Korzo Theatre The Hague, and then tour our country.
Violinist in Auschwitz
Sedje Hémon was born in Rotterdam and started drawing at the age of three. She developed an abstract style characterized by dots, lines and planes. At the age of eight, she spontaneously decided to become a professional violinist when she heard the famous Nathan Milstein on the radio.
During the Second World War she helped boys to flee to Switzerland, but she was betrayed by her neighbours. She survived Auschwitz by playing the violin in the camp orchestra. However, her health was so damaged that after the war she spent a long time in hospitals. She was forced to give up playing the violin, but continued to draw. Based on her own injuries, she would later develop a successful method to fight RSI.
Music from painting
On the advice of a fellow patient, she transferred her abstract drawing techniques to canvas. She was soon discovered and in 1955 she got an exhibition in Paris. It was there that art connoisseurs were struck by the music that was ‘hidden’ in her paintings. This encouraged her to actually make those hidden sounds audible. To this end, she developed her ‘Integration Method’.
On transparent paper she designed a grid of pitches and tones. She placed this over her paintings, in order to extract the hidden ‘musical data’. She then translated her findings to a sounding score. This technique is reminiscent of the transparents filled with dots and lines John Cage employed to create music in the same period. In our country, Hémon was quite unique.
Reprogramming of the body
The initiative for Hidden Agreements came from visual artist Marianna Maruyama and composer Andrius Arutiunian. Together with the Sedje Hémonstichting and Ensemble Modelo62 they hope to bring Hémon’s music to life. They play three of her compositions, two of which can be heard on Soundcloud: Harmony and Lignes Ondulatoires. These are placed in a modern context with new works based on her artistic ideas.
Maruyama was inspired by Hémon’s RSI prevention course, a ‘reprogramming of the body’. Because of her injuries sustained in the camp, Hémon got a deep understanding of the body in relation to music making. She learned to relieve others of pain and prevent it by using the body in an optimal way. Fascinated by Hémon’s exercises, Maruyama developed choreographic instructions for the musicians of Modelo62.
Website as an interactive score
In turn, Andrius Arutiunian reopens Hémon’s virtual reality world. In 2007 – she was already over eighty years old – Hémon launched a virtual museum. This consisted of fragments and shapes from her painting-scores and was filled with her artworks and music. Arutiunian uses the museum’s website as an interactive score.
The virtual reality museum is projected on a large screen behind the musicians. They give a musical interpretation of the various rooms, while the conductor ‘walks’ through them. The trailer of the program is really enticing. It also makes it painfully clear how unjust it is that we get to hear and see Hémon’s work so rarely.
Unfortunately I have to miss the premiere, but luckily there will be more performances of Hidden Agreements. A must see, must hear!
On September 9 2018 “Hidden Agreements” will be performed in the Gaudeamus Music Week. 4.30 pm, Centraal Museum Utrecht.